Open to both work and

freelance opportunities

COMMISSIONS OPEN

Designing structured, visually driven digital experiences.

Oliver Moyes 2026. Bicester | Oxford | London

CONTACT

WORK

ABOUT

Response to ISTD Power brief

2026 | Editorial | Bookbinding

1984 - Typographic System

PROJECT

A typographic response to George Orwell’s 1984, exploring surveillance, control, and authority through structure rather than imagery.

The project translates the language of propaganda and bureaucracy into a rigid visual system, using scale, repetition, and hierarchy to shape how content is read and controlled.

Miles Davis

Visual system design - Concept

2024 | Visual System | Music Design

No Disguise

Youth mental health platform - Concept

2026 | Brand Identity | Website Design | UI/UX

LUMA

Youth mental health platform - Concept

2026 | Brand Identity | Website Design | UI/UX

Scale, repetition, and hierarchy position the reader within a system of control. Typography operates as a mechanism of authority rather than expression.

Large-scale typography interrupts and dictates the reading experience

Headlines interrupt reading through scale and density, while body text remains constrained within a strict column structure. Variation is limited, reinforcing consistency and control across all spreads.

A fixed grid and typographic hierarchy governs every composition

6 COLUMN GRID

12PT BASELINE GRID

15MM MARGINS

CONSISTENT ALIGNMENT

CONTROLLED SCALE

Printed on 45gsm uncoated stock (bank paper) allowing content to remain visible across pages. Transparency suggests that information cannot be hidden, only layered.

Material choices reinforce concept of surveillance

Content is never fully contained. Overlapping text and ink density reinforce the feeling of constant observation and recorded behaviour.

Close-up views reveal the layering of information

Outcome

The final outcome is a printed publication that translates the language of surveillance into a controlled typographic system.

Through scale, hierarchy, and material choice, the work positions typography as an active force - interrupting, obscuring, and regulating the reading experience. The use of lightweight paper allows information to remain partially visible across pages, reinforcing the idea that content is never fully hidden, only layered and monitored.

Open to both work and

freelance opportunities

COMMISSIONS OPEN

Designing structured, visually driven digital experiences.

Oliver Moyes 2026. Bicester | Oxford | London

CONTACT

WORK

ABOUT

Response to ISTD Power brief

2026 | Editorial | Bookbinding

1984 - Typographic System

PROJECT

A typographic response to George Orwell’s 1984, exploring surveillance, control, and authority through structure rather than imagery.

The project translates the language of propaganda and bureaucracy into a rigid visual system, using scale, repetition, and hierarchy to shape how content is read and controlled.

Miles Davis

Visual system design - Concept

2024 | Visual System | Music Design

No Disguise

Youth mental health platform - Concept

2026 | Brand Identity | Website Design | UI/UX

LUMA

Youth mental health platform - Concept

2026 | Brand Identity | Website Design | UI/UX

Scale, repetition, and hierarchy position the reader within a system of control. Typography operates as a mechanism of authority rather than expression.

Large-scale typography interrupts and dictates the reading experience

Headlines interrupt reading through scale and density, while body text remains constrained within a strict column structure. Variation is limited, reinforcing consistency and control across all spreads.

A fixed grid and typographic hierarchy governs every composition

6 COLUMN GRID

12PT BASELINE GRID

15MM MARGINS

CONSISTENT ALIGNMENT

CONTROLLED SCALE

Printed on 45gsm uncoated stock (bank paper) allowing content to remain visible across pages. Transparency suggests that information cannot be hidden, only layered.

Material choices reinforce concept of surveillance

Content is never fully contained. Overlapping text and ink density reinforce the feeling of constant observation and recorded behaviour.

Close-up views reveal the layering of information

Outcome

The final outcome is a printed publication that translates the language of surveillance into a controlled typographic system.

Through scale, hierarchy, and material choice, the work positions typography as an active force - interrupting, obscuring, and regulating the reading experience. The use of lightweight paper allows information to remain partially visible across pages, reinforcing the idea that content is never fully hidden, only layered and monitored.